Job 3
Louis Segond 1910 (LSG) · Français
1 Après cela, Job ouvrit la bouche et maudit le jour de sa naissance. 2 Il prit la parole et dit : 3 Périsse le jour où je suis né, Et la nuit qui dit : Un enfant mâle est conçu ! 4 Ce jour ! qu’il se change en ténèbres, Que Dieu n’en ait point souci dans le ciel, Et que la lumière ne rayonne plus sur lui ! 5 Que l’obscurité et l’ombre de la mort s’en emparent, Que des nuées établissent leur demeure au-dessus de lui, Et que de noirs phénomènes l’épouvantent ! 6 Cette nuit ! que les ténèbres en fassent leur proie, Qu’elle disparaisse de l’année, Qu’elle ne soit plus comptée parmi les mois ! 7 Que cette nuit devienne stérile, Que l’allégresse en soit bannie ! 8 Qu’elle soit maudite par ceux qui maudissent les jours, Par ceux qui savent exciter le léviathan ! 9 Que les étoiles de son crépuscule s’obscurcissent, Qu’elle attende en vain la lumière, Et qu’elle ne voie point les paupières de l’aurore ! 10 Car elle n’a pas fermé le sein qui me conçut, Ni dérobé la souffrance à mes regards. 11 Pourquoi ne suis-je pas mort dans le ventre de ma mère ? Pourquoi n’ai-je pas expiré au sortir de ses entrailles ? 12 Pourquoi ai-je trouvé des genoux pour me recevoir, Et des mamelles pour m’allaiter ? 13 Je serais couché maintenant, je serais tranquille, Je dormirais, je reposerais, 14 Avec les rois et les grands de la terre, Qui se bâtirent des mausolées, 15 Avec les princes qui avaient de l’or, Et qui remplirent d’argent leurs demeures. 16 Ou je n’existerais pas, je serais comme un avorton caché, Comme des enfants qui n’ont pas vu la lumière. 17 Là ne s’agitent plus les méchants, Et là se reposent ceux qui sont fatigués et sans force ; 18 Les captifs sont tous en paix, Ils n’entendent pas la voix de l’oppresseur ; 19 Le petit et le grand sont là, Et l’esclave n’est plus soumis à son maître. 20 Pourquoi donne-t-il la lumière à celui qui souffre, Et la vie à ceux qui ont l’amertume dans l’âme, 21 Qui espèrent en vain la mort, Et qui la convoitent plus qu’un trésor, 22 Qui seraient transportés de joie Et saisis d’allégresse, s’ils trouvaient le tombeau ? 23 À l’homme qui ne sait où aller, Et que Dieu cerne de toutes parts ? 24 Mes soupirs sont ma nourriture, Et mes cris se répandent comme l’eau. 25 Ce que je crains, c’est ce qui m’arrive ; Ce que je redoute, c’est ce qui m’atteint. 26 Je n’ai ni tranquillité, ni paix, ni repos, Et le trouble s’est emparé de moi.
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Commentaire — pas le texte biblique
Job 3:1
THE POEM OR DEBATE ITSELF (Job 3:2-42:6). FIRST SERIES IN IT (Job 3:1-14:22). JOB FIRST (Job 3:1-26).
Job 3:1-19. Job Curses the Day of His Birth and Wishes for Death.
1. opened his mouth--The Orientals speak seldom, and then sententiously; hence this formula expressing deliberation and gravity (Psa 78:2). He formally began.
cursed his day--the strict Hebrew word for "cursing:" not the same as in Job 1:5. Job cursed his birthday, but not his God.
Job 3:2
2. spake--Hebrew, "answered," that is, not to any actual question that preceded, but to the question virtually involved in the case. His outburst is singularly wild and bold (Jr 20:14). To desire to die so as to be free from sin is a mark of grace; to desire to die so as to escape troubles is a mark of corruption. He was ill-fitted to die who was so unwilling to live. But his trials were greater, and his light less, than ours.
Job 3:3
Job 3:4
4. let not God regard it--rather, more poetically, "seek it out." "Let not God stoop from His bright throne to raise it up from its dark hiding-place." The curse on the day in Job 3:3, is amplified in Job 3:4, 5; that on the night, in Job 3:6-10.
Job 3:5
5. Let ... the shadow of death--("deepest darkness," Is 9:2).
stain it--This is a later sense of the verb [Gesenius]; better the old and more poetic idea, "Let darkness (the ancient night of chaotic gloom) resume its rights over light (Ge 1:2), and claim that day as its own."
a cloud--collectively, a gathered mass of dark clouds.
the blackness of the day terrify it--literally, "the obscurations"; whatever darkens the day [Gesenius]. The verb in Hebrew expresses sudden terrifying. May it be suddenly affrighted at its own darkness. Umbreit explains it as "magical incantations that darken the day," forming the climax to the previous clauses; Job 3:8 speaks of "cursers of the day" similarly. But the former view is simpler. Others refer it to the poisonous simoom wind.
Job 3:6
6. seize upon it--as its prey, that is, utterly dissolve it.
joined unto the days of the year--rather, by poetic personification, "Let it not rejoice in the circle of days and nights and months, which form the circle of years."
Job 3:7
7. solitary--rather, "unfruitful." "Would that it had not given birth to me."
Job 3:8
8. them ... curse the day--If "mourning" be the right rendering in the latter clause of this verse, these words refer to the hired mourners of the dead (Jr 9:17). But the Hebrew for "mourning" elsewhere always denotes an animal, whether it be the crocodile or some huge serpent (Is 27:1), such as is meant by "leviathan." Therefore, the expression, "cursers of day," refers to magicians, who were believed to be able by charms to make a day one of evil omen. (So Balaam, Nu 22:5). This accords with Umbreit's view (Job 3:7); or to the Ethiopians and Atlantes, who "used to curse the sun at his rising for burning up them and their country" [Herodotus]. Necromancers claimed power to control or rouse wild beasts at will, as do the Indian serpent-charmers of our day (Psa 58:5). Job does not say they had the power they claimed; but, supposing they had, may they curse the day. Schuttens renders it by supplying words as follows:--Let those that are ready for anything, call it (the day) the raiser up of leviathan, that is, of a host of evils.
Job 3:9
9. dawning of the day--literally, "eyelashes of morning." The Arab poets call the sun the eye of day. His early rays, therefore, breaking forth before sunrise, are the opening eyelids or eyelashes of morning.
Job 3:12
Job 3:13
Job 3:14
14. With kings ... which built desolate places for themselves--who built up for themselves what proved to be (not palaces, but) ruins! The wounded spirit of Job, once a great emir himself, sick of the vain struggles of mortal great men, after grandeur, contemplates the palaces of kings, now desolate heaps of ruins. His regarding the repose of death the most desirable end of the great ones of earth, wearied with heaping up perishable treasures, marks the irony that breaks out from the black clouds of melancholy [Umbreit]. The "for themselves" marks their selfishness. Michaelis explains it weakly of mausoleums, such as are found still, of stupendous proportions, in the ruins of Petra of Idumea.
Job 3:15
15. filled their houses with silver--Some take this to refer to the treasures which the ancients used to bury with their dead. But see Job 3:26.
Job 3:16
Job 3:17
Job 3:18
18. There the prisoners rest--from their chains.
Job 3:19
19. servant--The slave is there manumitted from slavery.
Job 3:20
Job 3:20-26. He Complains of Life because of His Anguish.
20. Wherefore giveth he light--namely, God; often omitted reverentially (Job 24:23; Ec 9:9). Light, that is, life. The joyful light ill suits the mourners. The grave is most in unison with their feelings.
Job 3:23
Job 3:24
24. my sighing cometh before I eat--that is, prevents my eating [Umbreit]; or, conscious that the effort to eat brought on the disease, Job must sigh before eating [Rosenmuller]; or, sighing takes the place of good (Psa 42:3) [Good]. But the first explanation accords best with the text.
my roarings are poured out like the waters--an image from the rushing sound of water streaming.
Job 3:25
25. the thing which I ... feared is come upon me--In the beginning of his trials, when he heard of the loss of one blessing, he feared the loss of another; and when he heard of the loss of that, he feared the loss of a third.
that which I was afraid of is come unto me--namely, the ill opinion of his friends, as though he were a hypocrite on account of his trials.
Job 3:26
26. I was not in safety ... yet trouble came--referring, not to his former state, but to the beginning of his troubles. From that time I had no rest, there was no intermission of sorrows. "And" (not, "yet") a fresh trouble is coming, namely, my friends' suspicion of my being a hypocrite. This gives the starting-point to the whole ensuing controversy.
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