Salmos 11

Reina Valera 1909 (RV1909) · Español

1 Al Músico principal: Salmo de David. EN Jehová he confiado; ¿cómo decís á mi alma: Escapa al monte cual ave? 2 Porque he aquí, los malos flecharon el arco, apercibieron sus saetas sobre la cuerda, para asaetear en oculto á los rectos de corazón. 3 Si fueren destruídos los fundamentos, ¿qué ha de hacer el justo? 4 Jehová en el templo de su santidad: la silla de Jehová está en el cielo: sus ojos ven, sus párpados examinan á los hijos de los hombres. 5 Jehová prueba al justo; empero al malo y al que ama la violencia, su alma aborrece. 6 Sobre los malos lloverá lazos; fuego y azufre, con vientos de torbellinos, será la porción del cáliz de ellos. 7 Porque el justo Jehová ama la justicia: al recto mirará su rostro.

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Salmos 11:1

PSALM 11

Psa 11:1-7. On title, see Introduction. Alluding to some event in his history, as in 1Sa 23:13, the Psalmist avows his confidence in God, when admonished to flee from his raging persecutors, whose destruction of the usual foundations of safety rendered all his efforts useless. The grounds of his confidence are God's supreme dominion, His watchful care of His people, His hatred to the wicked and judgments on them, and His love for righteousness and the righteous.

1. my soul--me (Psa 3:2).

Flee--literally, "flee ye"; that is, he and his companion.

as a bird to your mountain--having as such no safety but in flight (compare 1Sa 26:20; La 3:52).

Salmos 11:2

2. privily--literally, "in darkness," treacherously.

Salmos 11:3

3. Literally, "The foundations (that is, of good order and law) will be destroyed, what has the righteous done (to sustain them)?" All his efforts have failed.

Salmos 11:4

4. temple ... heaven--The connection seems to denote God's heavenly residence; the term used is taken from the place of His visible earthly abode (Psa 2:6; 3:4; 5:7). Thence He inspects men with close scrutiny.

Salmos 11:5

5. The trial of the righteous results in their approval, as it is contrasted with God's hatred to the wicked.

Salmos 11:7

7. his countenance--literally, "their faces," a use of the plural applied to God, as in Ge 1:26; 3:22; 11:7; Is 6:8, &c., denoting the fulness of His perfections, or more probably originating in a reference to the trinity of persons. "Faces" is used as "eyes" (Psa 11:4), expressing here God's complacency towards the upright (compare Psa 34:15, 16).

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