2 Crónicas 4

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1 Hizo un altar de bronce de veinte codos de largo, veinte de ancho y diez de alto. 2 También hizo una gran pila de metal, redonda, de diez codos de diámetro, cinco de alto y treinta de circunferencia. 3 Debajo del borde tenía figuras de bueyes que la rodeaban en dos filas, diez por cada codo. Se habían fundido en una sola pieza con la pila. 4 La pila descansaba sobre doce bueyes: tres miraban al norte, tres al oeste, tres al sur y tres al este. Sus partes traseras quedaban hacia el centro. 5 Las paredes de la pila tenían el ancho de una mano de grosor, y su borde tenía la forma del borde de una copa, como una flor de lirio. Su capacidad era de tres mil batos. 6 Hizo diez recipientes para lavar y puso cinco a la derecha y cinco a la izquierda. En ellos se lavaba lo que se usaba para los holocaustos. La gran pila era para que los sacerdotes se lavaran. 7 Hizo diez candelabros de oro según las instrucciones y los puso en el templo, cinco a la derecha y cinco a la izquierda. 8 Hizo diez mesas y las puso en el templo, cinco a la derecha y cinco a la izquierda. También hizo cien tazones de oro. 9 Construyó el atrio de los sacerdotes y el gran atrio. Hizo las puertas del atrio y las recubrió de bronce. 10 Colocó la gran pila a la derecha del templo, en la esquina sureste. 11 Hiram hizo las ollas, las palas y los tazones. Así terminó el trabajo que hizo para el rey Salomón en el templo de Dios: 12 las dos columnas; los dos remates redondos que estaban sobre ellas; las dos redes que cubrían esos remates; 13 las cuatrocientas granadas de las dos redes, en dos filas por cada red, para cubrir los dos remates redondos de las columnas; 14 las diez bases y los diez recipientes para lavar que iban sobre ellas; 15 la gran pila y los doce bueyes que la sostenían. 16 Todas las ollas, las palas, los tenedores y sus utensilios, que Hiram, el maestro artesano, hizo para el rey Salomón en el templo del Señor, eran de bronce pulido. 17 El rey los hizo fundir en moldes de tierra blanda en la llanura del Jordán, entre Sucot y Sereda. 18 Salomón hizo tantos utensilios que no se pudo calcular el peso del bronce utilizado. 19 Salomón hizo también todos los utensilios del templo de Dios: el altar de oro y las mesas donde se colocaba el pan santo; 20 los candelabros de oro puro y sus lámparas, que debían arder según lo establecido frente al Lugar Santísimo; 21 las flores, las lámparas y los instrumentos para ellas, todos de oro puro; 22 las tijeras, los tazones, las cucharas y los recipientes para las brasas, de oro puro. Las puertas interiores del templo, que daban al Lugar Santísimo, y las puertas de la sala principal también eran de oro.

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2 Crónicas 4:1-2

Introduction

The brazen altar, 2Chr 4:1. Molten sea, and its supporters, 2Chr 4:2-5. The ten lavers, 2Chr 4:6. Ten golden candlesticks, 2Chr 4:7. Ten tables, the hundred golden basons, and the priests' court, 2Chr 4:8-10. The works which Huram performed, 2Chr 4:11-17. Solomon finishes the temple, and its utensils, 2Chr 4:18-22.

2 Crónicas 4:3-4

Verse 3

Under it was the similitude of oxen - In 1Kgs 7:24, instead of oxen, בקרים bekarim, we have knops, פקעים pekaim; and this last is supposed by able critics to be the reading which ought to be received here. What we call knops may signify grapes, mushrooms, apples, or some such ornaments placed round about under the turned over lip or brim of this caldron. It is possible that בקרים bekarim, oxen, may be a corruption of פקעים pekaim, grapes, as the פ pe might be mistaken for a ב beth, to which in ancient MSS. it has often a great resemblance, the dot under the top being often faint and indistinct; and the ע ain, on the same account might be mistaken for a ר resh. Thus grapes might be turned into oxen. Houbigant contends that the words in both places are right; but that בקר bakar does not signify ox here, but al large kind of grape, according to its meaning in Arabic: and thus both places will agree. But I do not find that bakar, or bakarat, has any such meaning in Arabic. He was probably misled by the following, in the Arabic Lexicon, Camus, inserted under bakara, both by Giggeius and Golius, aino albikri, ox-eye, which is interpreted Genus uvae nigrae ac praeprandis, incredibilis dulcedinis. In Palaestina autem pro prunis absolute usurpatur. "A species of black grape, very large, and of incredible sweetness. It is used in Palestine for prune or plum." What is called the Damascene plum is doubtless meant; but בקרים bekarim, in the text, can never have this meaning, unless indeed we found it associated with עין ayin, eye, and then עיני בקרים eyney bekarim might, according to the Arabic, be translated plums, grapes, sloes, or such like, especially those of the largest kind, which in size resemble the eye of an ox. But the criticism of this great man is not solid. The likeliest method of reconciling the two places is supposing a change in the letters, as specified above. The reader will at once see that what are called the oxen, 2Chr 4:3, said to be round about the brim, are widely different from those 2Chr 4:4, by which this molten sea was supported.

2 Crónicas 4:5

Verse 5

It - held three thousand baths - In 1Kgs 7:26, it is said to hold only two thousand baths. As this book was written after the Babylonish captivity, it is very possible that reference is here made to the Babylonish bath which might have been less than the Jewish. We have already seen that the cubit of Moses, or of the ancient Hebrews, was longer than the Babylonish by one palm; see on 2Chr 3:3 (note). It might be the same with the measures of capacity; so that two thousand of the ancient Jewish baths might have been equal to three thousand of those used after the captivity. The Targum cuts the knot by saying, "It received three thousand baths of dry measure, and held two thousand of liquid measure.

2 Crónicas 4:6-7

Verse 6

He made also ten lavers - The lavers served to wash the different parts of the victims in; and the molten sea was for the use of the priests. In this they bathed, or drew water from it for their personal purification.

2 Crónicas 4:8

Verse 8

A hundred basons of gold - These were doubtless a sort of paterae or sacrificial spoons, with which they made libations.

2 Crónicas 4:9-15

Verse 9

He made the court of the priests - This was the inner court.

And the great court - This was the outer court, or place for the assembling of the people.

2 Crónicas 4:16

Verse 16

Huram his father - אב ab, father, is often used in Hebrew to signify a master, inventor, chief operator, and is very probably used here in the former sense by the Chaldee: All these Chiram his master made for King Solomon; or Chiram Abi, or rather Hiram, made for the king.

2 Crónicas 4:17-20

Verse 17

In the clay ground - See on 1Kgs 7:46 (note). Some suppose that he did not actually cast those instruments at those places, but that he brought the clay from that quarter, as being the most proper for making moulds to cast in.

2 Crónicas 4:21

Verse 21

And the flowers, and the lamps - Probably each branch of the chandelier was made like a plant in flower, and the opening of the flower was either the lamp, or served to support it.

2 Crónicas 4:22

Verse 22

The doors - were of gold - That is, were overlaid with golden plates, the thickness of which we do not know.

That every thing in the tabernacle and temple was typical or representative of some excellence of the Gospel dispensation may be readily credited, without going into all the detail produced by the pious author of Solomon's Temple Spiritualized. We can see the general reference and the principles of the great design, though we may not be able to make a particular application of the knops, the flowers, the pomegranates, the tongs, and the snuffers, to some Gospel doctrines: such spiritualizing is in most cases weak, silly, religious trifling; being ill calculated to produce respect for Divine revelation.

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